Helloween: "With so many songwriters you never worry about not having good songs"

A conversation with Andi Deris about "Giants & Monsters" and current success of the band

Από τον Χρήστο Καραδημήτρη, 05/08/2025 @ 15:26

I had the privilege to interview Andi in the past, so I already knew that he's a really lovely guy to have chat with, always polite, funny, warm hearted and down to earth. Obviously, nothing has changed as he appeared relaxed and in a good mood, lighting up a cigar as we started our interview regarding the current status of Helloween and their brand new album, the second one since the return of Michael Kiske and Kai Hansen to the band.

I consider "Giants & Monsters" as the best Helloween album of the last 25 years (since "The Dark Ride" that came out in 2000), so I was excited to know every little detail about it, and Andi didn't let me down. In fact, the flow of the conversation made us ran out of time. And even tough we both wanted to continue our chat and dig deeper in the songs of the album, technology wasn't on our side. But, don't worry, this is still a big read and an interview full of details and interesting topics.

The important role of the reflection after a world tour and the impact it has on the songwriting of the next album, the way they handled differently the flexibility of having two (plus one) singers in the band, the common element between the new album and the "Keepers", the critical role of the producers in the final outcome, the ego that is completely gone and much more are discussed in the lines below.

And, of course, the modesty that Andi showcases when asked about the huge success Helloween witness these days, makes us adore him even more. Even tough we didn't need an extra reason for that!

Andi Deris

Hello, Andi!

Hi, Chris. How you doing?

I'm doing fine. How are you? How is summer in Tenerife?

Well, actually rainy today.

Nothing like Greek summer. We have around 40° and it's really dry…

Oh, yeah. Just had a chat with Martin in Switzerland. They are also having 40 plus.

It must have been harder for them. We're used to have 40° in the summer...

For Greece is not such a challenge. In Switzerland, 40° is like the people are dying and the cheese is melting away… (laughs)

(laughs) I don't know what to make out of this. I think melting cheese sounds good. So, I don't know if that's good or bad. I can't decide right now.

Probably that's why they invented the cheese fondue… (laughs)

Alright… (laughs)

Well, here it's bearable. We got like 25 and rain. So yeah, it's nice actually. And also it's important because there was no rain for at least two months now. So, it's good to have rain.

That's good. And you must be considered local there by now. You've been living in Tenerife for quite a few years. So what attracted you to move there in the first place? And what made you stay there?

Well, first of all, going back to the weather, I know it's never getting over 32. So that's the maximum over here 32° and it's never going up 20. So 20 is the lowest you can have over here in my part so. Sure. If you go up to the hills, it's getting a bit more chilly. It could get down to 15° or even 14°, but down here at the seaside it's like 20°. That's the most chilly during the daytime, so I love that.

Second of all, we've been here 4 times for holidays and we both fell in love with the people over here. The people are so warm hearted…

Actually, like when I'm in Greece, people are super-super warm hearted and invite you in. I mean, even as a complete stranger, I was invited into the house. It's unbelievable! It would not be imaginable somewhere in Germany for example that people invite you into their house as a complete stranger. Impossible. Pretty much, I think that's the south heart, you know, a bit more warm… That's probably a part of the weather. I don't know. People are just super beautiful here over here. It was a challenge to learn Spanish. My Spanish is still gringo, as they say over here, but it's fine… (laughs)

Yeah, I guess…

Yeah, I have my conversations over here and everybody is whenever I'm around, they speak a little bit more slowly. But it works. Life is good over here.

I understand it. It sounds pretty natural to me that someone is inviting you into his home...

Yeah, I know. Because you're Greek. Your mentality is pretty much the same. But, as you when you come to Germany, for example, or France or wherever... Nobody would invite. You just you're a stranger. You could be a mass murderer, psychopath or whatever, you know… (laughs)

Reflection for me is a part of life anyway. And after a world tour which is so full of memories and so full of stuff that happens, I personally have to digest that

So, it's 2025 and here we're to discuss not only about a new Halloween album, but also about one of the best periods in the history of the band. And I was wondering, do you take some time to reflect all the things that have happened in this 30 year long journey since you joined the band?

Yeah, sure! After every tour you reflect, when you're coming back home. Which for me is like a period of at least two or three weeks after each and every world tour that I try to memorize… recap so to say of whatever we just witnessed and whatever we did. As you can imagine each and every world tour is an adventure in itself. And each and every world tour has its "spotlights", like "Wow, that was fantastic! This was funny" or "This was bullshit", you know? So, you try to reflect and hopefully grow from it. I personally like to think about "Did I behave myself? Was I good? Was I bad? Is there something I feel miserable about that I did?". So, reflection for me is a part of life anyway. And after a world tour which is so full of memories and so full of stuff that happens, I personally have to digest that. I consider that a very important part of my life actually. And it always gives me some at least three or four ideas for another song for the next album… (laughs)

Yeah. That that remind me the last tme a couple of years ago I talked with Danny when you came to Greece and he said "I don't know what to tell you about Andi. He like sits on the couch and then he stands up and says "I have a song"" or something like that... (laughs)

I would celebrate it if I will come up with a song. I would celebrate… (laughs)

Considering all the hard work everybody in the band went through, I think it's fair to be where we are

I have to tell you that I first got in touch with Halloween's music 30 years ago, in the summer of 1995 when a friend came with a cassette tape and said "Here's a band you may like. They have a new album". It was "Master Of The Rings. So, following the band through all through the years from back then up to now, I was thinking that what happens now, since you reunited with Kai and Mickey, is somehow like justice being served. And allow me to say that, because Helloween is one of the most important metal bands in the history of this music. And you deserve to play in front of big crowds and celebrate like you did, like the last time in Athens or the audiences from the "Pumpkins United" DVD . Your legacy shines better in this way, for all the eras of the band. You agree with that?

Yeah… I mean, I hope I may! It feels good to agree... (laughs)

Considering not only myself, but considering all the hard work everybody in the band went through and all the good and bad times everybody went through in that band, I think it's fair to be where we are. That that, it would be fair for lots of people out there as well, who never had that lottery ticket winning that we did. This is something that you always have to take in or at least I consider that it's very important to tell everybody that talent, work and maybe success is something that doesn't come only from you. It's also something that is given to you. That's what I mean with a lottery ticket…

What I wanted to express is that I say "yes, you're right". We deserve it after all these years. But I'm quite aware that even with all the work and all the good and bad times and everything, there are so many bands who have actually exactly done the same than we did, who don't have the success. Which means they are not worse, they just did not have the red lottery ticket. And I'm aware of it. So I always say "thank you" to above, whoever listens. I say "thank you for that", because I know bands who are not worse, they are probably even better than ourselves, but they don't play in front of these crowds. Which doesn't seem fair to the same time...

Helloween

It shows modesty from your side to say. You're not thinking only for yourself...

Not modesty. It's realistically… I have to say, I remember back in the days when we started out with the first bands in Karlsruhe, Germany. Only in Karlsruhe there were at least two bands that I considered way better than ourselves. They had great music, great talents, but never made it. So, somebody should give me the answer why is that?

"It's a lottery ticket. You have to be there at the right time, the right place, with the right songs

Somewhere along the way, the answer is there…

Yeah, that's why I'm always saying "OK, it's that lottery ticket. You have to be there at the right time, the right place, with the right songs". Nobody could predict that. So, that's why I'm saying I'm super grateful and everything. But there is always this great question mark that I have above my head "Why me?" or "Why us?", when you know that there are so many other great bands out there. That's not complaining or something like that. It's just a question mark, you know…

Yeah, yeah. But, I guess most successful people wouldn't even question their success or things like that… They'd go with the flow…

The most colleagues who I know and they are way more famous than we are, they ask themselves that same question sometimes…

Good to know…

There's more modesty than one would think…

It's very important to have these easy listening songs in between, the way they did that during the "Keeper" times. And I think that's exactly what we did now...

I know that heavy metal has more humanity and modesty than the world outside things it has…

Yeah, absolutely!

So, let's get to the core of this interview, as the new album is about to be released in about a month or so. Before I tell my opinion, how do you feel about it, coming towards the release date?

I think we achieved what we wanted to achieve. We wanted to have a bit lighter, not so packed/stressful than the last one. So, we tried to put in some more easy listening, in the vibe of the "Keeper" albums. There's speed metal, heavy stuff and very hard to digest followed up by an easy listening song, then followed up by another hard to digest speed metal anthem again. Then there's a ballad! And that made me listen through the album like a breeze. It did not challenge me to force myself to go through it, because it was a heavy listening. And to be fair, a speed metal song of 8, 12 or even 15 minutes is not an easy listening song… (laughs) We all agreed to that.

After an anthem like that, I personally always felt that it's great when you have suddenly a "Future World" or "Power" or "If I Could Fly", or "Doctor Stein" or "I Want Out"… stuff like that in between. Which I always consider something like pop metal. I love to have this mixture of an easy listening album, where you're not completely challenged for 50 minutes with double bass and super twin solos, which - speaking for myself - after 20 minutes my concentration is gone.

I'm quite not able to actually appreciate even the greatest speed metal song ever written after 20 minutes of already listening to speed metal, because my head is ready to blow. So, I think it's very important to have these easy listening songs in between, the way they did that during the "Keeper" times. And I think that's exactly what we did now...

Not copying a "Keeper" album, that's not what I'm saying. I'm just trying to express my feeling that I listen to this album now and it's got for me the same approach. I'm happy to listen to "Giants On The Run" or "Majestic" or whatever, but I always know that "OK, now it's getting down to a more easy listening song again. And I'm ready for the next metal anthem. And that's what I love about the mixture on this album.

All my favorite bands, from Judas Priest, even down to Black Sabbath sometimes for me have some pop metal-ish stuff

Yeah, I agree with you. You know, I was really satisfied with what you did with the "Helloween" as the reunion album, but I find "Giants And Monsters" being a better and more cohesive album in a way. An album that I find myself listening to it more easily from start to the finish and I really enjoy that. And it doesn't mean that it's a pop metal album, it's it has its ups and downs, it has all the diversity that I really love and appreciate during a full album…

"Pop Metal" is only my expression for a song that's not speed heavy metal...

Yes, I know…

I always try to explain it or describe it like a pop metal. And it's something I like very much. I mean, all my favorite bands, from Judas Priest, even down to Black Sabbath sometimes for me have some pop metal-ish stuff, which is a more bit easy listening before the heavy shit starts again, which I enjoy even more then. But, as I said, if I would have to listen it for 40 or 50 minutes in a row, my head would explode and I would not appreciate it… That's why it's so important.

With so many songwriters you have so many ideas, you never worry about not having good songs at the end of the day

I know, I agree, and I understand it. My biggest question listening to both your previous album and even more this one, is you having seven members in the band and most of you - if not all of you - being songwriters. So, how do you operate when it comes to writing songs for a new album? You know, like each one writes his own songs, then presents them to the others, and then you decide which ones to keep? Or is it more a collaborative and a more complex procedure until you get to the final result?

Anything could happen! I mean, the main workflow would be that after the tour, everybody's like reflecting… Myself, for example, I need two or three weeks. Others maybe only need one week or even a month or two weeks or two months, whatever… But, you reflect. There's a reflection time. And after that you're ready to take your guitar again. You're ready to be creative, which is not so much possible during a tour. Yeah, there are off days, whereas sometimes I have a guitar in my hotel room, because I wanted to play guitar. Then some of the technicians brings me a guitar in the room, but it's not so often. I personally have to have a free clear head to really concentrate myself of being in being creative.

So, after tour, everybody sits down and sooner or later starts to write again, collecting ideas. That's when writing begins. And I think that's the most important stage, actually. Collecting ideas… Because this is something you do without any responsibility. You just diddle and fiddle around like hobby and exactly that's the most important thing for me. It's a hobby. There's no pressure at all. Because, the songwriting process should start in three months, but now I'm already sitting here and collecting ideas because I like to play. I just like to play guitar, period. And that's my personal main time where I suddenly have ideas for songs just by listening to the ideas and fragments I put on tape… Without any responsibility! just like "Oh fuck it. That's what I like!". I don't even ask myself "Is it any good for Helloween?". No, it's just good for myself. I like it! And then I give away the responsibility to my boys and tell them look "As always, there might be lots of ideas which are not connected to us. Maybe it's not Helloween at all. So you have to decide!". And the boys do the same.

I put my shit on the tape and if it sounds good and Kai, Sascha or Weiki make it sound better, I'm proud of them

So, you just throw out ideas and maybe more or less finished songs, or just a verse idea… And this is working so nicely, because everybody's picking up on his own favorites like "I love that one! May I write something? I have an idea for a refrain even?", "Yeah, shoot, shoot, bring it over". And that's the fun part. Then when the time comes and the management says "Boys, it's time to write!", I know that we already have at least 20-25 ideas on the table. Which makes it so much easier and it takes out so much pressure. And I think that's the perfect way to go. Just let everybody flip and having ideas… or not… that's the funny thing about it…. with so many songwriters, you have so many ideas. You never worry about not having good songs at the end of the day. And when you're taking in account that the ego problem is pretty much gone in this band, so everybody just likes and loves to listen to the other ideas simply because MAYBE he has an idea for that. But this needs to be allowed. I know lots of bands where the songwriter would never allow the others to participate in HIS song. It's HIS BABY. Nobody should touch it and nobody should lay hand on his baby. What a stupid thing to do!

And that's what I love. You're in the band. You just you fart out ideas and if somebody says I like that smell… (laughs) And then he goes on and tries to create something with it at the end of the day… Perfect. Super! . Up to certainly the day when you are in the official songwriting process, then you diddle and fiddle, and maybe in a day or two you have a pretty much finished song. If the boys love it, they try to arrange it, better than you did it. Because certainly I'm not as good in playing drums as my drummer. And I don't consider myself like a well-rounded guitarist like Kai, Sascha or Weiki. But, I put my shit on the tape and if it sounds good and they make it sound better, I'm proud of them.

Ego is maybe the main reason why bands don't make it

I understand what you say. The biggest part is that there is no ego there at all...

That's what I'm saying. Ego is maybe the main reason why bands don't make it. Because, for whatever reason, they don't understand that they are a BAND. So, help each other, be proud of yourselves and of the others! And that's the main reason… I mean, how many bands put out a debut album and it sounds great and then you wait for the second album and they say "they split up". You're like "What?"…

Helloween

Yeah, yeah…

Ego is the biggest enemy. If you're having such a big ego go solo.

Try it yourself. See if you can make it on your own...

Exactly!

Thankfully, if tomorrow we should go into the studio again and have to record a new album, we can record it now directly. Yeah, no question asked. We have so many great songs still, even arranged and ready to go, we could actually record them tomorrow

Yeah, I get it. And yet, with so many ideas, you've managed to get a really good quantity, cause I think the album is less than an hour long. It is 55 minutes long or so, which means that you trimmed the fat and kept what it needed. It must be hard if you have so many ideas, just to keep the ones that ones that really matter, isn't it?

Yes and no. I mean, you know from experience that when you have let's say 20 songs… or like we had like 23 songs on the table... And believe me, each and every song was great, perfect songs. But you need to find a mixture for an album, because we are mainly writing music for album listeners. Because, metal and rock in itself is still album music. People don't actually stream one song and listen to it over and over again. No! They want to actually listen to through the whole album! So, the mixture of an album is super important to not throw you out in the middle of a listening session, like after 20 minutes you are completely blown away and you go "What the fuck? I can't digest it anymore. Up to now I loved it, but not getting too much shit like that". That's why I'm back to the mixture again. It's very important. And not every song of the 20 or 22 or 23 songs we had in front of us would fix into the mixture we have so far.

Thankfully, I could say that if tomorrow we should go into the studio again and have to record a new album, I would tell you we can record it now directly. Yeah, no question asked. We have so many great songs still, even arranged and ready to go, we could actually record them tomorrow. They just did not make it up this album, because the mixture is, in our eyes, perfect for the album we will release now. Maybe on the next album there will be one or two songs we would have to write for a perfect mixture. But I would say the album would already be done. So many songs we had it was unbelievable… So much creativity, I've never had that before.

Yeah, that's great to hear…

Yeah, we were super happy...

I'm already waiting for the next album and the new one hasn't even been released yet... I'm a bit greedy, you know.

I have it on my on my MacBook here…

OK, give me a second to find a hacker…

(laughs)

How stupid would it be to double myself, having Michael Kiske in the band?

So, there's another thing about the mixture as you say, or maybe the flow of the album, that's really important. And I think you did a terrific job on this one. Really, how do you decide which one of you, and I mean you, Mickey and Kai sings on each part? Sometimes in the same song there are two or three singers and then there is a whole song with only one of you. And it keeps a nice flow. Is this also something that you arranged to be so? Or it just happened to be so with each song. So how did you decide who sings what? Did you say from the beginning that "This is a song about Kai? This is a song about Mikey and this is a song about Andy"? Or you tried different versions and different things, listened back to them and decided which voice fits better each song and part?

We had two or three songs which were definitely Michael and two or three songs that were definitely Andi, out of the 20-something songs we had. And there were songs that I've written, for example "This Is Tokyo" which is already written with a second voice. And how stupid would it be to double myself, having Michael Kiske in the band? You know what I'm talking about! This happened lots of times… I go like "Why would I double myself?". So, "This Is Tokyo", for example, had definitely two voices in the verse, so I thought" Let's sing that fucking song together!". "A Little Is A Little Too Much", you could easily A-B it. I sing the first part of the verse, you sing the second part of the song. Sometimes it's not doable, but on this song it was perfect. It's exactly the same length. So we could A-B it perfectly. Let's sing the whole song together….

I have to say Michael and I, most of the times we sang each and every bullshit. He had a version of this song, I had a version of the same song, and we left the whole work for the producers and said "Well, you decide!"

Yeah, yeah…

Then there were songs like for example "Giants On The Run", that it was quite clear… "OK, this great middle part Kai has written for my song, for "Giants On The Run" should definitely be sung by Kai". Because I could not do it any better! So, why would I have to go through the song as the lead vocalist, when my guitarist Kai, who's also a great singer, has written a great middle part, kind of a song in the song? So "Just fuckin' do your own shit! It's perfect!" (laughs)

All the rest, I have to say Michael and I, most of the times we sang each and every bullshit. He had a version of this song, I had a version of the same song, and we left the whole work for the producers and said "Well, you decide! Because, in the end we don't care! Make it sound as good as possible. If Michael sounds great here, let it be Michael. If I'm perfect, take Andy. Whatever. We don't give a shit" …

So, you left some work about that up to Charlie and Dennis? Cause I think they were the main guys in the production, right?

50%-50% I would say. 50% they had to decide because we told them we don't give a shit! What they believe, would be cool. Then later on and they said "OK, we decided this song is for example is sung by Michael, but Andy, you have to do all the overdubs now. And I was like "Oh, fuck you!" (laughs)

That same happened to Michael. They said to Michael "Andy sings this song, but you have to do this and this all the second voices, blah, blah, blah"… He's not fan of that as well. This is very hard. It's very hard to sing a second voice on a singer who has so much style of his own. So, considering Michael Kiske has his own style, for me, when I have a have to do an upper voice for example, I have to copy his singing style.

Because, most of the times, Michael is not singing... [editor: Andi sings a simple melody] That's easy to copy. You got the second voice over it [editor: Andi sings the second voice of the melody and then sings a complex melody]. But he's got all these slides… "I love to hear it. I hate to double it!".. (laughs). That gave us a ton of work again. But it was worth it, definitely.

So sometimes you have Andi over Michael, sometimes you have Michael over Andi, even though it's an Andi or it's a Michael song. On the last album. It was just like "You sing this and you sing that. And you double yourself". This time we took a step further and said "OK, it's your song, but the other guys, the other singers have to double you!" (laughs)

We talked about it, but it's never gonna be Pink Cream 69 the way it used to be

It really seems more difficult. Talking about the role of the producers, I saw Dennis Ward on the production and thought "Andi and Dennis, these two guys have a history together". I got Pink Cream 69 vibes. Really, would you consider doing anything about "One Size Fits All", which is a legendary album in my books. I love it so much. Did you talk about it while being in the studio, to play together again or collaborate in a way?

The idea is older. The problem is without the guitarist, without Alfred, it wouldn't work. And Alfred, meanwhile as we all know, he can't move these two finger anymore. So, it's not possible. You would never have the original Pink Ceam line up on stage, because you always would have to have another guitarist next to Alfred. And that would be a sad story actually, which I would not like to do. We talked about it, but it's never gonna be Pink Cream the way it used to be.

Yeah. I understand it. At least just reissue this album on vinyl for us vinyl lovers. I have it on CD since the 90s, but I'd love to have it on vinyl. And many people could get introduced to it and get to know what a great album this is. It's not made for Spotify it's made for vinyl, allow me to say.

Yeah, absolutely. It's definitely super analog. I still have them all upstairs.

Helloween

So, back to the album, I was wondering why the hell "A Little Is A Little Too Much" is not the first single? It' such a great catchy song, one of the great pop metal songs that Helloween know how to write. For me it would be a no brainer. Maybe I should be the producer next time… Just kidding…

Yeah, but "This Is Tokyo" is the better single for summer... So, "This is Tokyo" is the first single and the second single will definitely be "A Little Is A Little Too Much"...

I don't like the idea of writing songs for American radio, and this is not written for American radio, but it sounds like it could be played over there

Yeah, I'm just kidding. You know, they're both great. I just wanted to highlight how great and catchy it is and how it sticks to your brain in the best possible ways…

Yeah, I love it. Certainly, I do. I love it and we already shot the video for it. It's super funny video. Lots of parts in there. I think people, the Halloween fans, the Pumpkin-heads will definitely love it. And I could see maybe it's one of those "Doctor Stein", "I Want Out", "Future World" or "Power" mainstream-y kind of song that brings in lots of fresh people. I could even hear it on American radio, which I normally don't. But this is a song that I could hear on American radio as well. So far, I don't like the idea of writing songs for American radio, and this is not written for American radio, but it sounds like it could be played over there. So, that's another thing that I could see coming. Yeah, never say never. Knock on wood.

It was very, very important for me to write this song. This song was like forever in my heart. This time I finally had a chance to finish it

But you know, they're gonna have a problem in Japan. They won't know which song they like most…

I think the Japanese they will definitely like "This Is Tokyo". It was very, very important for me to write this song. This song was like forever in my heart. This time I finally had a chance to finish it.

And after this great success we had with "Live In Budokan", in Japan, I think it was just overdue to do that song. It has nothing to do with the album, but it kind of fits on the album anyway. Still, I would again say it's one of these pop metal songs that loosens a bit the tension of the album, so it makes it an important song as well, not only as a single, but as an album track. And the same counts for "A Little Is A Little Too Much". That's pretty much the same. You need something to ease the listener and make him ready for the next heavy metal speed metal anthem, you know... (laughs)

People don't think like "Oh Andi is better than Michael" or "Michael is better than Andi" and all that bullshit… No, they want to see us together

Yeah, totally get it. As you mentioned, it's been a while since you wrote the ballad like "Into The Sun" for a Helloween album. Was it your wonderful duet with Mickey when you performed "Forever And One" on the live shows that sparked the inspiration for this song? You know, a duet ballad between you and Mickey… And what are the lyrics about?

The lyrics are about reincarnation. And, yeah, you're right actually! When we had the first show where we sang the duet "Forever And One", I was quite surprised that people adopted and accepted Michael in an instant. Not for one second people were going like "oh, why is Michael singing now?". And this is something that I witnessed through the last two world tours, even when I was singing a typical Michael song together with Michael, people just appreciated it. It was like "Wow, the two of them are perfect". And this is something that we learned that is OK. That people don't think like "Oh Andi is better than Michael" or "Michael is better than Andi" and all that bullshit… No, they want to see us together. And this is something that we were loving to learn and which is even better for the future and it could even go and do double vocals on the album.

That's what we learned after the first tour. That's why we mixed all these songs, even on the last album, on the "Helloween" album. We mixed them as much as possible. And the funny thing is, people don't even realize it sometimes. Lots of people were like "Oh yeah, "Fear Of The Fallen" is a song that is sung by Andy, isn't it?"… No, it's not! It's 50% Andy, 50% Michael. Or vice versa. "Ah, that song. That's great. Michael sings it so greatly". Yeah… but it's Michael and Andy, 50/50… It's something like that. It's really funny.

So, "Into The Sun" was an experiment and as I told you, we've sung the song both and solo. And at the end of the day, it was the decision of the producers to make certain formats, certain mixes. And one of those mixes was a complete duet. And we all loved it. We said "OK, that's cool. Let's do it for the album version as well. Why not? It works!" And as B-sides we have a "Michael only" version and an "Andi only" version, and we also got a classical version. I mean, "Into The Sun" probably has five different mixes.

There will be a lot of B-sides material, if you decide to put out something in a box or something for the hardcore fans.

It's just to have it, you know… I think the Japanese would love, for example, the classical version. It's also super! I usually am not that much of a fan of classical versions. I always told the people "If I would have decided not to like guitar, then I would make different music". But I love guitar, so that's why I make rock music. And I don't like to hear music without a guitar. But in this special case, I do like it! It's hard to describe it to you. You all have to decide for yourself when you have a chance to listen to it. But it's got the power and you think there are guitars, but there's not. That's funny.

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