Anthony Pateras

Αθήνα @ Underflow

Συγκροτήματα Anthony Pateras
Ημερομηνία
Πόλη Αθήνα
Χώρος Underflow
Διεύθυνση Καλλιρρόης 39
Τηλέφωνο 211-4039926
Τιμή εισιτηρίου -
Ώρα έναρξης 21:00
Σημεία προπώλησης
Διοργανωτής

Anthony Pateras live at Underflow Record Store & Art Gallery

THIS AIN’T MY FIRST RODEO is a project that explores the psycho-acoustic interactions between two synthesizers in quadraphonic settings. Ornamenting the synthesizer fabric are materials generated and mutated by 1/4 inch tape delay. These elements fuse to heighten the production of sound phenomena and third-ear emissions. Pateras thus creates sound textures with infinite folds allowing an immersive listening, applying his knowledge in the field of electroacoustic and spectral music, his research on physical and acoustic phenomena and the exploration of sound and its mutation. - XING

Anthony Pateras is an Australian composer/performer whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has written over 75 concert works, having received performances from the Los Angeles Philharmonic, Australian Chamber Orchestra and BBC Symphony, commissions from the GRM, Slagwerk Den Haag and Südwestrundfunk Baden-Baden, residencies from ZKM, Akademie Schloss Solitude and La Becque, and fellowships from the Ian Potter and Sydney Myer Foundations. He has released over 40 albums including collaborations with Mike Patton, Stephen O’Malley, Valerio Tricoli and eRikm, as well as working in film with animator Pia Borg, producer François Tetaz and literary critic Sylvère Lotringer.

Friday 24 May 2019

Doors open : 21:00

Ticket: 15 euro

anthonypateras.com
soundcloud.com/immediata
immediata.bandcamp.com

Youtube - youtube.com/watch?v=qvuyOGrk5LI

thanks to Afarina for the photo

"A remarkable new voice" — The Los Angeles Times (US)
"Strange, elliptical, immaculately precise" — The Guardian (UK)
"Some of the most challenging and involving improv influenced composition in contemporary music" — The Wire (UK)
"Meticulously detailed" — The Toronto Star (CA)
"Magical" — Sydney Morning Herald (AU)
"Awe-inspiring & exhilaratingly visceral" — The Melbourne Age (AU)

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